These are the last FYCs I’ve received in a few days. If you would still like to submit one, you have until Sunday. And don’t forget to vote!

Hey you! Send me an FYC image and I will put it up! I don’t care if I get one from 50 sites, I’ll find a way to get them all up, and as soon as possible (the nomination voting period only lasts until May 4th!). When you’re ready to vote, do it here: http://www.misterpoll.com/polls/430540

Editor’s note: Welcome to the tenth of a 24-part series dissecting the 81st Academy Awards, brought to you by the Large Association of Movie Blogs and its assorted members. Every day leading up to the Oscars, a new post written by a different LAMB will be published, each covering a different category of the Oscars. To read any other posts regarding this event, please click the tag following the post. Thank you, and enjoy!

By Dean from Filmicability with Dean Treadway

The Live Action Short category for the Oscars can be a place for filmmakers to go to or come from.

This partial list of one-time nominees or winners that went on to notable feature film careers is short but interesting. Jean-Claude Carriere (whose films as a writer include That Obscure Object of Desire, The Tin Drum, Birth, and The Unbearable Lightness of Being) won in 1962 for producing Happy Anniversary. For his first film, 1965’s Le Poulet (The Chicken), Claude Berri, later acclaimed as the writer/producer/director of Jean De Florette and Manon of the Spring, vanquished both Noel Black (Pretty Poison) and Muppets creator Jim Henson for the award. Taylor Hackford parlayed his 1978 Academy Award for Teenage Father into a 30-year career capped by a 2004 Best Director nomination for Ray. Dean Parisot shared the Oscar with comedian Dennis Wright in 1988 for The Appointments of Dennis Jennings, and went on to helm Galaxy Quest and Fun with Dick and Jane. Peter Catteano, a nominee for Dear Rosie in 1990, was cited by the Academy for his direction of The Full Monty in 1997. And this year, Martin McDonagh was tapped for a Best Original Screenplay nomination for his debut feature In Bruges, but the man already has one golden boy—won it for his short Six-Shooter in 2005. There are others success stories out there, too—Pen Densham, Jacques Yves Cousteau, Stephen Verona, Chuck Workman, Lesli Linka Glatter, and Andrew Birkin, for starters.

There’s also an interesting list of established film industry names retreating from features and dabbling in Oscar-nominated short films, often as a precursor for a directing career of their own. Peter Sellers, George Coe, John Astin, Dyan Cannon, Peter Capaldi, JoBeth Williams, Sean Astin, Christine Lahti, Peter Weller, Griffin Dunne, Jeff Goldblum, Ray McKinnon, Peter Riegert, Lisa Blount and Kenneth Branaugh–all are actors who’ve had unlikely nods as producers of acclaimed short films.

It’s difficult to write about or predict the winners of the short film awards without seeing them all. Luckily, the Academy—for the fourth year in a row—released theatrically here in New York (and in a few dozen other venues) the ten nominated live action and animated shorts. And you can probably see them later on this year packaged together on a DVD release. However, I haven’t yet seen the 2h12m shorts program, so I’ve tried to scrape up as much information on each film as I could, but pickings from even the Academy Awards’ own site are slim at best. Thus, my article is going to only cover the basics.

NOMINEE: Auf Der Stricke (On The Line)
COUNTRY OF ORIGIN: Germany
DIRECTOR: Reto Caffi
WINNER: Student Academy Award, Best Narrative Short at Brooklyn, Hamburg, Switzerland, and Crakow film fests.
SYNOPSIS: A department store security guard is secretly in love with a clerk in the store’s bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down.

NOMINEE: Manon Sur le Bitumen (Manon on the Asphalt)
COUNTRY OF ORIGIN: France
DIRECTOR: Elizabeth Marre and Oliver Pont
WINNER: Best Narrative Short, Toronto Shorts Film Festival
SYNOPSIS: A young woman gains a new insight into life while she’s near death.

NOMINEE: New Boy
COUNTRY OF ORIGIN: Ireland
DIRECTOR: Steph Green
WINNER: Best Narrative Short at Belfast, Berlin, Melbourne, Tribeca, Seattle, Rhode Island film fests.
SYNOPSIS: Captures the experience of being the new kid in school through the eyes of Joseph, a nine year-old African boy. Based on a story by Roddy Doyle (The Commitments, The Snapper, The Van)

NOMINEE: The Pig
COUNTRY OF ORIGIN: Denmark
DIRECTOR: Dorthe Warnø Høgh
WINNER: Best Narrative Short at Hamptons and Miami film fests.
SYNOPSIS: Is personal freedom more important than religious rights? An epic debate staged over a tiny painting in a bare hospital room.

NOMINEE: Spielzeugland (Toyland)
COUNTRY OF ORIGIN: Germany
DIRECTOR: Jochen Alexander Freydank
WINNER: Best Narrative Short at Palm Springs, Ashville, and Bermuda film fests.
SYNOPSIS: 1942: what happens when a German kid believes that his Jewish neighbors are going to Toyland? A story about lies and guilt.

Given these choices, the more cynical of us might think that Holocaust-related Toyland is going to be the winner here. But I don’t cotton to the notion that a work merely has to be Holocaust-related to win. Seems a rather dim view of things, if you ask me. So, though I think The Pig sounds like the most interesting of the five films, it seems to me that Ireland’s New Boy might have the heat at the moment, given its slew of festival wins, and its Roddy Doyle pedigree. As you well know, however, it’s difficult to tell, unless you’ve seen the films. That’s what makes this category the scourge of all Oscar prognosticators.

URL: http://filmicability.blogspot.com/

Site Name: filmicability with Dean Treadway

Categories: Reviews and Editorials

Rating: R

What is the main focus of your site (reviews, editorials, news, lists, etc.)?
My main focus in doing the website is to direct people to all the good movies that are out there. So, since its inception in February, I’ve been steadily adding to the lineup. There are almost NO BAD REVIEWS on my site; I’d rather pretend like the bad movies don’t exist.

What are your blogging goals, personally and/or professionally? In other words, what, if anything, are you trying to get out your blog?
My goals are to get a professional position as a film authority, either with another web or print organization, or on television (I have TV reviewing experience). My bigger goal, though, is to put down in words what I think makes a good movie good, and then to lead people to these movies.

Do you prefer an interactive ‘community’ for your blog or are you the teacher and your readers are the students?
I wish people would leave more comments so that it was slightly more interactive, but essentially I am the teacher and readers are the students, yes.

How long have you been movie blogging for, and how frequent do you post updates to your site?
I have been writing about and reporting on movies for twenty years; I’ve been blogging since mid-February 2008. I update at least twice a week, sometimes with numerous articles in a day. (Though I’ve been recently working on a series of bigger articles for another blog that have slowed up my entries on my own site.)

Name up to three of your favorite movies (and no more).
My 275 favorite movies are listed at the right of the screen on my blog. But I can tell you the top three: 2001: A Space Odyssey, Fanny and Alexander, Touch of Evil.

How did you hear about the LAMB?
Heard about the LAMB through FINAL GIRL, my favorite slasher movie website (God, Stacy is so funny!).

Any additional comments, or give yourself an interview question that’s not listed above.
None.